Dyer's Dungeon of Horrors

Where Horror Movies Live!
blind dead

This site is for anyone who wants to delve deeper into horror movies and what's behind them. Especially for those who want to look further than just the movies themselves. My goal is to create a site where I can share my thoughts on horror movies of all decades. I will present articles of various types and reviews based on what I have learned from others and combined with my own thoughts and ideas.

Sign up for the fanzine at the email for more articles and trivia, or if you just prefer print media. 

 Email:

ChrisDyer@DyersDungeon.com

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What makes a movie a horror movie?  Ask ten people and you will get 10 answers.  Does it have to be scary?  Does it have to contain a monster? Or blood? Or death?  Do thrillers count?  Do comedies?

It’s a controversial question but our need to pigeonhole and classify demands that we answer the question.  Yet we all answer it differently.  For me I try to look at the intent of the director.  Was his approach to scare you?  For example, I could tell you I saw an owl when I was out walking last night.  That’s not very scary nor is it meant to be.  But if I describe the darkness and shadows I had to walk through, and how my skin crawled as I heard the unearthly noises that seemed to call out from the trees around me you may start to feel a bit of fear creeping in.  Add that to a sudden feeling of something swooping over me in the darkness causing a small draft of wind to strike me as a creature alighted on the tree right next to me that may even turn into terror.  Same story but it’s how it’s told that determines whether it is horror or not.  That is how I see horror movies.

But clearly that doesn’t work for everyone.  The movie Bone Tomahawk to me is horrifying, but I don’t really consider it a horror as there doesn’t feel like there is an attempt made to build up fear in the audience.  There is certainly brutality and a deadly threat, but no sense of terror for the viewers…only the characters.  But most people do consider it horror so clearly, I’m in the minority.  The Godfather is full of death and violence, but most people wouldn’t consider it horror.  So where is the line?  And what about horror comedies?

But even if you agree with my definition of horror, there are still gray areas.  If the director attempts to scare you but misses the mark by a great distance, does it still count? (To me it does!)  But whether that was a director’s goal, whether through violence, discomfort, mood, lighting or any other method or trope is open to individual interpretation.  Do we really know his intent?

With that in mind I will try to look at horror in the broadest of terms but don’t’ be surprised if at some point I leave out a movie that you consider horror and mention ones you don’t.  Horror is subjective and can spark a lot of debate. Debate means discussion, and to me that’s a good thing!

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Sub-genres: The Giallo

Posted 05/27/2026

You may have heard me or someone else mention the word “Giallo” or “Gialli” (the plural form) when talking about horror movies.  But what is a Giallo and does it belong in the horror classification?  These are both hard questions to answer and have created a debate and some heated arguments among film and horror fans.

If you know the Italian language, you know that the word Giallo is simply Italian for yellow.  Giallo films got their names from pulp fiction books in Italy with similar themes, which were known for their yellow bindings.  But what classifies a Giallo from a standard mystery?   This is where a lot of debate comes in.  Like most genres, there are both purists and those who take a loose interpretation of the genre.  For some, a film can only be a Giallo if it is made in Italy, while for others, films made in other countries can be considered Giallo if they meet the same qualities of a Giallo.  But what are those qualities?  Again, there is a lot of debate as to what makes a Giallo.  

To read more click on Sub-genres in the main menu…

William Castle

Posted 05/25/2026

William Castle is the P.T. Barnum of films.  He is famous for the showmanship and gimmicks he used to promote his films but should not be forgotten as the writer, director and producer of many great classic horror films as well. 

Born as William Schloss Jr. he became an orphan at age 11 when his parents died. At 13 he saw the play Dracula and became transfixed.  He returned multiple times and got to meet Bela Lugosi who was appearing in it.  It was at that point he knew he wanted to be involved in horror.  Lugosi helped him get a job at the theater and at 15 he dropped out of school to work there.  He eventually cold called Orson Welles and convinced him to lease one of his theaters to him to run.  He showcased his promotion skills by hiring a German actress during the war and claimed she had been a big star in Germany but had turned down a personal performance for Hitler.  He then vandalized and painted swastikas on his theater claiming it was done by nazis in retaliation for hiring her.  It ensured the success of his play.

To read more click on Spotlight On: in main menu…

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Sub Genres: A Deep Dive -Italian Gothic

Posted 05/24/2026

First there is gothic horror.  Gothic horror usually resides in times past.  It features, dungeons, castles, old dark mansions and lightning storms.  Think in terms of Edgar Allen Poe.  It often focuses on the supernatural.  It may feature ghosts, witches, vampires, and many of your classic monsters.  Besides time period, aesthetic is probably the most important feature in normal gothic horror. 

Then there is the Italian version of gothic horror which had its heyday from 1957 through the late 60’s.  To begin with, Italian gothics often put a modern spin on the gothic monsters.  Often the monsters and ghosts don’t exist at all but are just red herrings to hide the plots of an all too human monster.  When they do exist, they often created by science, through the use of potions, injections, or pills and/or play a lesser role in the proceedings.  While the Italian gothics use time recession, it isn’t as drastic as the typical gothics.  They often do feature the large mansions, castles and dungeons as well as the gothic aesthetic, which is why they still fall in the gothic category, albeit slightly to the side. In fact, death and decay are the major aesthetic, with copious uses of crumbling buildings and cemeteries to visually represent this. 

To read more click on the Sub-Genres section in the main menu…

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Is Kaiju Horror?

Posted 5/5/2026

Is Kaiju horror?

To most cinephiles and horror fans the answer is an easy yes.  Yet I would disagree.  Wait!  Don’t turn off your computer or phone in disgust and call me an idiot just yet.  Hear me out first.  Then turn off your computer or phone in disgust and call me an idiot.

What makes me have the tenacity (or stupidity) to argue with the experts? What about the terror of Godzilla?   First of all, I never said that no kaiju movies fall under the horror banner, just that Kaiju as an overall sub-genre shouldn’t be considered horror.  At least not any more than any movie featuring a vampire should be considered horror.  I doubt any of you would consider Hotel Transylvania a horror movie. 

To read more click on Pine Box Opine in the main menu…

 

Planet of the Vampires (1965)

Posted 4/18/2026

I have a confession to make.  This is the first movie I can remember as a child that scared me.  I remember seeing it on a small 12” black and white TV with my brothers in their bedroom late one night when I was around 5 years old.  The scene of the dead astronauts rising from the grave and tearing off their plastic death shrouds terrified me.  When I started getting serious about horror 15 years ago, I went looking for the movie that had scared me so much when I was young.  I fell in love with it once I found it and watched it again.  I tell you this not because the movie is so terrifying that I expect any adult watching it to be scared (remember I was a young child) but because it certainly colors my opinion of it and therefore my review. So that is my confession.

As for the movie, this is an Italian science fiction movie directed by the great Mario Bava. (See “Spotlight on” for more information on Bava.)   Like many Italian horror movies of that time, it has a basic premise, minimal action, and a limited storyline.  So why do I love it so much?  I think it’s because the visuals are great and moody, creating a gothic horror picture in space and showing imagines unlike any other space movie I can think of, except maybe the one that was inspired by it in the 70’s; but more on that later.  Italian movies tend to focus on style over story and that is obvious here. But what style! 

To read more click on movie reviews in the main menu…

Wes Craven

Posted 04/18/2026

Born in a suburb of Cleveland Ohio, Wes Craven grew up in a very religious family. His father left when he was young.  But the family was looked after by the church community.   Due to this strict environment, he did not see his first movie of any sort until college. 

As a child he found solace in nature and was a birder, an avid reader, and writer of poetry.  In high school he had a column in his school paper and found a talent and passion for writing. He went to a Christian college and was a large part of the literary circle and magazine.  He began to question religion and nearly got expelled for being too much of a free thinker; exposing his doubts in his stories for the literary magazine.  During this time, he also had a severe neurological disorder which left him paralyzed and bedridden for nearly a year. 

To read more please click on the “Spotlight On:” section in the main menu.

Twins of Evil (1971)

Posted 4/1/2026

By 1970  Hammer was fading as the dominant force of horror they had once been.  With change in public tastes, more permissive cinema that made their “sexy” horror seem quaint, and growing competition within the UK itself from Amicus and Trigon, Hammer was looking for a way to revamp (pun unintended) their success.  One of the ways they did this was to bring more nudity and sexuality to their films.  They also looked for a new subject to capture the filmgoer’s imagination to replace their tiring Frankenstein and Dracula films. 

To help on both fronts they turned to the story of Carmilla, a lesbian Vampire.  Originally published in 1872, the story was fairly faithfully retold in The Vampire Lovers released by Hammer in 1970, featuring Ingrid Pitt.  With its success Hammer tried to recreate the formula with 2 other  vampire movies in what is now dubbed the Karnstein trilogy (after Camilla Karnstein who features in some part, in each of the three films.)

To read more click on Movie Reviews in main menu…

Event Horizon (1997)

Posted 3/28/2026

Event Horizon is a big-budget, science fiction/horror mishmash that failed at the box office but has since picked up a cult following.  It stars Sam Neill & Lawrence Fishburne and is considered a cosmic horror movie.

In the year 2040, a ship named The Event Horizon; created to use the power of a black hole to “fold” space, allowing it to jump from one spot in the galaxy and appear somewhere else; took its maiden voyage.  When it opened its portal to move through this folded pocket, it did not come out the other side.  It was presumed lost. 

To read more click on Movie Reviews in the main menu…

Creature Feature: Zombies!

Posted 3/14/26

Unlike many of our movie monsters, zombie’s origins come from reality…sort of.  However, the zombies of today’s horror movies are far-removed from the actual zombies of history as well as the original zombies of film.

 In Haiti, stories were told of people who buried their loved ones only to encounter them months later, working in a mindless state or wandering the roads.  Zombies came into the new world’s awareness in about 1929 when the book The Magic Island by William Seabrook was released.  In it he made mention of the zombie.  In Haiti it seemed, “dead” people rose to become zombies and work the fields and do other mindless labor.  Later, this phenomenon was explored in depth by Wade Davis, in 1985 and recounted in his book The Serpent and the Rainbow.  This tale of his discovery of and search for the explanation of zombies was fictionalized in the 1988 film of the same name by Wes Craven. The process of creating zombies is practiced in the religion of voodoo and done exclusively by the shaman or priest known as a boker.  In actuality, the priest poisons a human being with a drug concoction passed along among voodoo priests.  This drug slows the breathing and heart rate enough to make the victim appear dead.  Mistaken as deceased, he is buried.  Within 6 days the boker digs up this body and revives it with another concoction.  He further deadens the mind and destroys the will of his victim with more drugs making them susceptible to control from a “master.”  Their lifeless and mindless countenance coupled with the fact that they were pronounced dead and were buried created the myth of the reanimated corpse. 

To Read more Click on Creature Feature in main menu…

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Movies That Conquered the World

The Curse of Frankenstein (1957)

Posted 3/13/2026

While Curse of Frankenstein may not have a major impact on society as a whole, it sent many ripples out, affecting the future of horror films, actors, and hammer studios itself. 

The movie was to be hammer’s first foray into gothic horror and their take on Frankenstein.  However, Universal was very protective of their creation and warned Hammer ahead of time that they had lawyers at the ready to sue should their make-up or interpretation of Mary Shelly’s novel come to close to Universal’s own Frankenstein movie.  So, the writer of the script, Jimmy Sangster, opted to focus not on the monster, but on Dr. Frankenstein himself.    His take?  That the doctor is not just driven by a need for knowledge, but morally reprehensible, making him the truclice monster of the piece. 

To read more Click on MTCTW in the main menu…

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Horror as a morality lesson

Posted on 02/28/2026

Horror is probably the most maligned genre by both the average movie goer and the critics alike.  It is painted as shallow and mindless. But even worse it is often considered immoral and even depraved, painting a picture that only immoral and depraved people would watch.  And to be fair there are some horror movies out there that probably are a bit depraved and at the very least amoral.  But for every Blood Sucking Freaks (1976) there is a Sinners (2025).  For every Blood Feast (1963) there is The Exorcist (1973). 

To read more click on PINE BOX OPINE in the main menu…

Best Wishes To All (2023)

Posted 2/19/2026

I can’t say very much about the storyline for this movie or the events in it.  Okay, in truth I could, but knowing too much about the movie takes away from the pleasure of figuring it out for yourself.  This movie has a lot to say but it works far better if you experience and learn things at the same rate as our main character.  I can tell you that the story follows a young nursing student returning home to her grandparents’ home to meet up with her family again after being away at school.  She slowly learns that there are things going on there that seem odd to her and will change her trajectory in life forever. 

She will also discover that there are two types of people in this world.  The cruel, who will think nothing of stepping on others to create their own happiness, and those that will not do so and thus become the ones that get stepped on.   She must decide for herself which she will become. 

To read more click on Movie Reviews in main menu…

Tom Savini

Posted 2/19/2026

There have always been men and women behind the scenes creating the monsters, make-up, and effects for horror movies.  But it was Tom Savini who was the first to really bring the special effects maker to the forefront. He is an actor, stuntman, and director, but is most famous for his special effects work.   He is even better known than many of the actors and directors of the films he worked on. 

To read more click on Spotlight On: in the main menu… 

Mad Love (1935)

Posted 2/12/2026

A lot of people today think new horror is transgressive; that it touches on dark and taboo subjects and can be quite disturbing.  But the truth is, horror has always been that way.  That’s part of horror’s nature.  It’s just that from the 30s through the 60’s, the Hayes code prevented movies from such disturbing matters to be in the forefront.  But issues such as bestiality, rape, torture, and other dark and taboo subjects were all still there.  They were just lurking under the surface and not in plain view.  Even sexual aggression and perversion.  In fact, especially sexual aggression and perversion.!   You may have had to think about what you were watching to see it, but it was there! 

Mad Love is one case in point.

To read more click on Movie Reviews in the main menu…

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Sub-Genre Deep Dive: Eco-terror or Man Vs. Nature

Posted 02/08/2026

The nature vs man sub-genre is pretty much what it sounds like; humans in a bid for survival fight off the elements, harsh environments, and/or wild animals (& sometimes plants).  It is not strictly a horror sub-genre, but is when it is taken to its most violent or a supernatural element is added.  The first man vs. nature movie may be “The Gold Rush” from 1925 but likely the first horror movie to fall into the sub-genre was The Birds (1963) by Alfred Hitchcock. The genre really took wing (or fin) after the smash success of Jaws in 1975.  There were many copycat films immediately following, many water-based such as tentacles (1977), The Last Shark (1981), and Mako: The Jaws of Death.  But some were of the “jaws on land” variety, such as Grizzly (1976) which followed the same template but took the action to the forest and Claws (1977).  Many of these were successful, which may be a major reason the sub-genre lived on and expanded. 

To read more go to Sub-Genres in Main Menu…

Frogs (1972)

Posted 2/5/2026

A special thank you to Jeff Owens who turned me on to this movie.  I had heard of it before but never really had much interest in it.  But Jeff expressed his love for this movie many times both on his podcast with Richard Chamberlain (Classic Horrors Podcast) and in print (We Belong Dead for one).  So, I had to see what it was about and when I found it on a streaming service, I settled back to see what the excitement was all about.

To begin with I thoroughly enjoyed watching this movie.  I can’t tell you it’s a great movie, but I can tell you it’s a fun movie and harkens back to the days when horror didn’t need wise-cracking villains or try to be funny to make a movie fun. 

To read more click on Movie Reviews in main menu…

Horror in History: The Depression and horror

Posted 2/5/2026

In 1929 the stock market crashed and by 1930 the great depression was underway.  In 1931 Dracula, and then Frankenstein started the horror boom for Universal as we know it.  Think that’s a coincidence?  It’s not.

In the late 20s Carl Laemmle Jr. took over Universal Studios from his father.  Two of his first movies were expensive “prestige” pictures which cost the studio a lot to produce.  While they made back their money and quite a bit more, it strapped their overall economics plan.  When the depression hit, ticket sales eventually began to dip.  The two situations put Universal, as well as most other studios, in a precarious position.

To read more click on Horror in History in the main menu…

Black Phone 2 (2025)

Posted 1/31/26

Imagine getting a call from a soul trapped in Hell.  Even worse, imagine if that call was from someone that hated you because you were the one that sent them there!

Brought to you by the same people who made Sinister and The Black Phone.  This movie continues and even builds upon the director’s usage of 8 mm to and diving into extremely dark subject matter. 

To continue reading click on Movie Reviews in the main menu…

Barbara Steele

Posted 1/31/26

Barbara Steele is famous among horror fans, mostly for her work in Italian cinema in the 60s.   Her unusual beauty, with her large eyes and high, sharp cheekbones gave her an exotic look and her overwhelming charisma and screen presence stole nearly every scene she appeared in.  She specialized in playing cruel and malicious women but was just as adept when given the chance, to play more demure or sweet parts.  

To read more go to Spotlight On: In main menu…

Terror Tropes: Monsters falling in love with female humans

Posted 1/29/2026

Some of us didn’t quite fit in at school growing up.  We were outsiders.  We didn’t fit in with the popular group.  We didn’t fit in anywhere.  If that was you, then you can probably relate to seeing someone that you knew was out of your league.  You were fascinated by this person and wondered what it would be like to get to know them, date them, or start a relationship with them.  But you knew better.  You knew they were out of your league, and you didn’t stand a chance.

If any of that rings a bell, then this trope is for you!

Throughout the history of horror, there have always been monsters that seem to be smitten by a beauty that is out of their league.  The ultimate outsiders, possibly not even the same species, yet the lovelorn creature can’t control his passions and unlike us, is willing to risk it all to get to know the object of their crush.

To read more Click on Terror Tropes in the main menu…

Nang Nak (1991)

Posted 1/24/26

This movie can be found in the ALL THE HAUNTS BE OURS 2 Box set from Severin.  I find most of the movies in these two sets interesting from a perspective of learning about the various cultures around the world through their folk horror.  Although many of the films aren’t fantastic and some are even boring, there is a lot to learn from them.  But nestled into both sets are some really good horror movies.  Nang Nak caught me off guard and was a pleasant surprise. 

Evidently the story of Nang Nak (or sometimes Mae Nak) is quite old in Indochina and has been told in films at least 20 times or more.  This was the first time I had heard of it.  This representation of it was made in Thailand in 1999 but has the feel of a much older film, possibly the 70s, and takes place in the 1800s.

To read more go to Movie Reviews in the main menu

Creature Feature: Gremlins and their ilk

Posted 1/24/26

The notions of gremlins began in the British Royal Air Force possibly during the First World War. They were seen as tricksters; small imps that sabotaged mechanical devices, especially planes of friend and foe alike.  It was originally used almost exclusively to refer to unexpected or inexplicable mechanical failures in aircraft.  The concepts of problems caused by mysterious gremlins later spread to machinery of all sorts.  There are conflicting reports of the word Gremlin’s history.  It may have derived from the Old English word gremian, “to vex.”  Contrarily, it may be the combination of “Goblin” with a common beer of the 20’s called Fremlin beer.  Regardless of its origins, the term grew in popularity during World War II.   Many pilots later swore to actually seeing small creatures tinkering with the planes and equipment.

To read more click on Creature Feature in the Main Menu…

George Méliès

Posted 1/21/2026

George Méliès was a creative man and artist who eventually fell in love with magic.  In 1888 he bought and ran a theater in Paris that specialized in magic and skits incorporating magic.  He is responsible for developing 30 never-seen-before illusions. 

Upon being invited to a demonstration of one of the first movie projectors, the cinematograph; he became infatuated with the idea of owning one.  He eventually purchased one in England along with several films.   He showed them at his theater and eventually modified the machine himself, allowing it to record as well as project so he could make and show his own movies. 

To read more go to Spotlight On: in the main menu…

Companion (2025)

Posted 01/20/2026

Warning: If you haven’t seen this movie yet but still want to, I suggest you wait to read this or any other information on it until you have seen it.  It works much better with no knowledge beforehand.  I have tried to avoid spoilers here but it’s nearly impossible to not at least hint at some of the surprises in store.

I’m not sure this should be considered a horror movie based on the fact that the director didn’t seem to be going for scares or a sense of terror. It seems to be more of a dark comedy/thriller.  But there are some dark moments and there are themes of dominance, lack of personal freedom, rape, being sacrificed for another’s agenda, machines and what happens when they are misused and go out of control, and of course murder, all of which can fall under the horror umbrella.  I have also seen it listed and discussed on multiple horror sites. But mostly, I just wanted to talk about it so I’m going to forgo my own opinions and go with what seems to be the consensus. 

To read more go to movie reviews in main menu…

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Sub Genre Deep Dive: Slashers

Posted 01/16/26

The Slasher became a common and surprisingly popular form of horror.  At first glance, the Slasher Sub-genre should be an easy one to define.  Madman with a weapon kills people.  Simple.  Many horror fans and writers leave it at that and that is a perfectly acceptable way to look at it.

But as a person with a background in Zoology it’s too simple for me.  I need a clearer classification.  Something that separates the true slasher film from just any movie about a psychopath with a knife or gun.  Is Psycho a slasher?  Is When a Stranger Calls?  To me, not truly.

First off, let’s look at what a slasher is and isn’t.

To Read more click on Sub Genres in the main menu…

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The Trouble With Sequels...

Posted 1/10/2026

There is a line from Hurricane Party, the James McMurtry song that goes, “And I don’t won’t another drink, I only want that last one again.”  This is the perfect encapsulation of the problem with sequels.  As fans, we are looking for the same feeling we got watching the original, but that is an impossible feat.  Once we’ve seen it, we can’t ever see even the original again through those virgin eyes.  That originality is gone.  For a sequel to bring back that exact same feeling is nearly impossible but it’s why we go see it. 

For studios, nothing is better than making a sequel.  The audience is already built in, assuring them of dollars from those who loved the original.  For true horror fans though, sequels present a problem.  Is it worth going to?  They want to see more of the original film they loved and hope for the best.  But inside they know that more often than not, the sequel is a major disappointment.  We can’t have that same drink again

There are essentially only 3 ways a sequel can be done. 

To read more click on Pine Box Opine in the main menu…

Deathdream: aka Dead of Night aka the Night Andy Came Home (1974)

Posted 1/8/26

This is a movie brought to you by the same man who made two of the most diametrically opposed Christmas movies ever.  Black Christmas and a Christmas Story. 

Andy went to Viet Nam to fight.  His mother prays daily for his return and repeats his promise to her that he will return home. She clearly dotes over him. Imagine how happy the family is when Andy returns home late one night and surprises them.  But something is different about him…

To read more click on the movie reviews in the main menu…

Frightmare (1974)

posted 12/31/25

One of the things I like about movies from the 70’s is that they can get pretty dark and they don’t mind wallowing in the filth and depravity of the seedier sides of life.  And despite their reputation as prim and proper, England is willing to wallow in that same mud pit alongside the rest of us.  If the Hammer films aren’t proof enough for you, then Frightmare directed by Pete Walker should make it frightfully obvious.

There is gore aplenty here but it’s the story that really kneels down into the muck and sends a wave of disgust through you.  And that is not a complaint but a high compliment!  After all, isn’t that the role of horror movies?  To disturb you and make you feel unnerved?  If not, then why do we watch them.  And if you are looking to be disturbed and made to feel uneasy, then I highly recommend this film.  It’s ghastly in the greatest sense of the word.

To read more click on Movie Reviews in the main menu…

Boris Karloff

Posted 12/30/25

William Henry Pratt was born to an Anglo-Indian who worked in the Indian civil service and a partially Indian mother. He had 8 siblings.  When the family moved back from India to London, he was expected, like his brothers, to carry on his father’s tradition.  But in an effort to emulate his favorite brother George, who had taken a shine to acting on the local stage, he headed to the theater. 

To read more click on Spotlight On: in the main menu…

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Just Roll with it...

Posted 12/25/25

Have you ever been told “Just roll with it?”

Sometimes when watching movies that’s good advice.  Especially horror movies.  Still, there is a point when we just can’t buy what we’re seeing any longer and the movie can no longer draw you in.

Of course, nearly all horror movies expect you to “just roll with it,” to some degree.  If you can’t roll with the idea of a man that turns into a wolf or a killer (or hero) that can get shot then be running around 5 minutes later, you’re probably not going to be watching many horror movies.  Or any other movie genres for that matter.

To read more, click on Pine Box Opine in the main menu…

The Year in fear: 1951

Posted 12/25/25

Truman was the US president in 1951.  During that year he officially declared war with Germany over, while at the same time we were fighting the Korean war and locked in a “cold war” with Russia.  Technology was especially advancing, as the first transcontinental television broadcast took place and the first commercial color TV broadcast by CBS took place that year.  In addition, the year also saw the debut of the first UNIVAC I computer.  The technology boom and the ongoing development of nuclear weapons with ttesting started in Nevada for the first time, put science and technology at the forefront of the nation during this time.  In addition, the space race was beginning to heat up.  As a reflection horror films began to blend with science fiction with many horror films of the year concerned with space travel and technology.

To read more click on A Year in Fear in the main menu…

 

Terror Trope: The Unreliable Narrator

Posted 12/25/25

If you’re, making a movie and want to leave your audience question what they just saw, the unreliable narrator trope is probably one of the best ways to do it.  Its use is a great way to tell a story and then turn the tables on your audience.

The unreliable narrator shows us the film through eyes that we can’t trust.  They may be an actual narrator, or just someone heavily involved, usually, but not always the main protagonist.  But they cannot be relied on.  Usually this isn’t revealed until the finale of the film bust sometimes we learn from the start that they are not reliable and may be giving a false ot slanted account of things. 

To read more click on Terror Tropes in main menu…

Dog Soldiers (2002)

Posted 12/22/2025

My favorite Werewolf Movie!

The plot is basic.  A solider in Scotland fails his bid to get into an elite armed forces unit.  Later, his platoon is sent on maneuvers in the wilderness on a practice mission.  While there, they come across the lone survivor of the same elite forces he was attempting to join.    The very same man who failed him, in fact.  The soldiers soon discover they are in the territory of a pack of werewolves and that there is more to their trip than they were led to believe.  Along with a female zoologist they stumble across, they take shelter in a farmhouse where no one is home in an attempt to survive the night.  Soldiers vs. Werewolves.  That’s the main gist.

To Continue Reading click on Movie Reviews in the Main Menu…

Horror in History: The Hayes Code

Posted 12/20/25

When films first began there was no rule governing what could be shown in the U.S., but there were concerns.  Individual states would often decide what would be allowed within their own theatres, which resulted in each state editing the film as they saw fit, leading to a large number of versions of the same film across the country.  You could easily see one version, drive across the state line, and see another version twenty minutes shorter with many scenes changed or omitted altogether. By the 1920s there was an outcry, mostly from religious groups and women clubs, that movies were going too far.  Due to pressure from these groups and a fear that the government might step in and put forth federal regulations, Hollywood made the decision to band together and regulate themselves.  To do so, in 1922 they formed the Motion Pictures Producers and Distributors of America (MPPDA) and put William Hays in charge.  Hays created a set of recommendations known as “the formula” to keep movies within a morally acceptable boundary.  A greater list of don’ts and “be careful” would follow within a few years. In 1930, The Motion Picture Production Code became the final word on movie ethics and would be come to be known as the Hays code.

To read more click on Horror in History in the main menu

Terror Tropes: Indentical Descendant/Doppelganger

Posted 12/20/25

The use of the “doppelganger” through an identical looking descendent or reincarnation is a common staple in older horror films.  It goes as far back as The Mummy (1932) and even crops up occasionally in newer films.  It was especially used in the 40s through the 70s.  The use of this doppelganger from the past is also common in vampire movies. Nearly always, the same actor plays both the long dead character and the modern replica.

To read more click on terror Tropes in the main menu

Frankenstein (2025)

Posted 12/3/25

This year was book-ended by two remakes of classic horror movies.  Both were highly lauded and promoted before their release, and both were directed by giants in the horror genre.  But for me, they couldn’t be more different. 

This year was not a good one for me and it was foreshadowed with a major disappointment.  I was highly anticipating Nosferatu’s release and when I finally got to the theater on the first weekend of January to see it, I was extremely disappointed.  It looked beautiful, but it was, well…boring.  It didn’t bring anything new to the story of Dracula and felt cold and unemotional.  And don’t get me started on the mustache. 

So, when I finally found time to sit down and watch Del Toro’s Frankenstein, I was a bit apprehensive.  I had been looking forward to watching it for months but was nervous I would be let down again.  After all, could even my favorite director bring something new to a story that has been told so many times before?   Some of the reviews I had seen regarded it as less than stellar, which only deepened my fear.  I laid back down on the couch, turned on the TV and hoped for the best. 

I needn’t have worried. 

To read more click on Movie Reviews in the main menu

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Movies That Conquered the World!

Night of the Living Dead (1968)

Posted 12/02/25

Night of the Living Dead had two major impacts on Horror cinema. First it changed zombie cinema forever.  Second it changed horror cinema forever.

George Romero and his partner Dan O’Bannon ran a small film company in Pittsburgh PA that made industrial films, ads, and segments for Mr. Roger’s Neighborhood.  They decided they wanted to make a movie.  Originally, they were going to make a romantic drama but instead decided it would be far easier to make a horror movie.  The movie they ended up making was Night of the Living Dead.

To read more click on MTCTW in the main menu.

H.P. Lovecraft

Posted 11/27/25

H.P. Lovecraft was a mostly unknown and unsuccessful author who lived in Rhode Island and died in near poverty in 1937.  He was also a racist who looked down on nearly every nationality but his own.  He is believed to be a full-blown xenophobe with a deep fear of all outsiders.  There are questions of mental illness surrounding his life and odd behaviors.

Click on “Spoltlight On:” in the main menu to continue reading.

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Sub-Genre Deep Dive: Cosmic Horror

Posted 11/27/25

What is cosmic horror?  Basically, it is a horror sub-genre that is built on the idea of humankind being just an insignificant speck in the universe.  More specifically, that there are greater forces and beings somewhere that are beyond our fathoming, and mankind means nothing to them.  To them we are gnats and can be ignored or used at their whims. It also often theorizes that madness awaits those that see these beings or glimpse the hidden knowledge of them.

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Who Can Kill A Child? (1976)

Posted 11/22/25

There are horror movies that are fun to watch and leave you exhilarated when they end.  Then there are horror movies that are dark or downbeat and leave you depressed or emotionally drained.  Then there are horror movies that are so bleak or uncomfortable while they play that they leave you feeling like maybe you shouldn’t be watching it.  Maybe it has crossed a line and is so dark that you are moved into despondency or hopelessness.

To continue reading this article go to Movie Reviews in Main Menu.

Cat People (1942)

Posted 11/15/2025

Val Lewton was in charge of horror production at RKO studios and was expected to compete with Universal’s horror masterpieces.  The problem was, he didn’t care for typical horror movies of the day.  He was also given a much smaller budget to work with.  His bosses gave him titles names for movies designed to draw in the typical horror crowd and tell him to make a movie using that title.  He was given the title Cat People in hopes he would make a movie similar to Universal’s The Wolfman.   How do you use that title and still make a thinking man’s movie featuring suspense and not just simple exploitative thrills on such a miniscule budget? 

You make this movie! 

To read more click on movie reviews in the main menu. 

A Year in Fear: 1973

Posted 11/10/25

The 70s were a turbulent time in the U.S. The hippie love culture had collapsed with the Manson murders in 69, causing the world to fear this darker, cult like, movement.  The Watergate scandal in 72 was creating distrust in our political leaders and by default, authority figures of all types.  The roles of women in society were changing; leading to the growth of women’s lib and MLK’s assassination put racial relationships into a period of strain and uncertainty.  Overall, there was a lot of fear over where the country was going; meaning that no single fear defined the era.  There were multiple fears!  And therefore, many fears to be capitalized on in horror films.

To read more click on A Year in Fear in the main menu.

Horror in History: The Shock Theater Package

Posted 11/062025

It may be hard to comprehend for the younger people out there, but there was a time when once a movie finished its run at a theater, it was gone.  There was no streaming services, no DVD, Blu-ray, or even video tape.  You had to wait until it showed up on TV and when that would be you didn’t know.  It may be on a school night or when you were away and then you may never see it.   Those of us among the older crowd remember those days and how frustrating that could be.

However, if you think that would be frustrating, there was a time for our grandparents and maybe our parents depending on our age, that there was no TV for them to show up on.  If you missed a movie, your only hope was if the studio decided to re-release it.    Even with the advent of television many horror movies remained the property of the studios and were never shown on TV.

To read more click on Horror in History in the main menu…

Dark Harvest (2023)

Posted 11/5/25

Dark Harvest is an odd movie.  You can figure out pretty early where it’s going, yet you still enjoy the ride getting there.  Besides, the story isn’t the point, interesting as it is. It’s the point that’s the point.  More on that later though.

The story is simple.  The mythos behind it is a little more complex.  It goes like this. In a small town (in the 50s?) out in the sticks, a demon known as Sawtooth Jack returns every year on Halloween night.  The legends say if he reaches the church, the town will be cursed the following year and crops will fail.  Each teenage boy is locked in his room and fasted the week prior and on that night, they are released to hunt down the monster; already worked into a frenzy.  The one who destroys him and saves the town, is given a new car, a large sum of money, and is allowed to leave and go see the world.  Likewise, as a reward, his parents are moved to the rich side of town and given another large sum of money and new house.  The story follows one of the teenagers whose brother won the following year.  He isn’t supposed to compete since his brother already won, but feeling inadequate, he sneaks out and joins the following year’s hunt. 

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opine

Werewolves as Metaphors

posted 11/01/25

I talk a lot in reviews and elsewhere about horror movies as allegories and the meanings hidden within them.  Does that mean I think all horror movies have to have a deeper meaning to be good?

Absolutely not.  Sometimes a good movie is just a good movie.

Still, horror, along with sci-fi, are the perfect genres to hide a message in as they are fantasy.  So, shaping your story around a metaphor doesn’t have to destroy believability in reality because the world that a fantasy takes pace in doesn’t need to reflect our world’s reality.  It can take place in whatever type of world it needs to be to tell the story.  Ghosts can haunt houses and people can turn into wolves.

To read more click on Pine Box Opine in the main menu

Don't Go In The House (1979)

Posted 10/30/25

What a strange movie… On one hand, this is an exploitation film; low budget and set out to shock with the most disturbing ideas the writers/directors could muster. Even the title screams out “exploitation!” On the other hand, this is a well-thought out and well-written movie with deep social messages and not a simple gore fest. In fact there isn’t much blood at all, but there is death. It also has good performances by actors, keen observational direction and writing, and quality cinematography.

For more go to Movie Reviews on main menu

Movies That Conquered the World!: Blood Feast

Posted 10/29/25

I remember back in the day of video stores, walking the horror section to see what movie boxes looked cool or eye-catching.  The box for this movie was always oversized and featured a close-up of a woman’s face with blood coming from her mouth as if her tongue had been removed.  If I remember, the back had a picture of a woman in the bathtub with her leg missing.  This was in the mid-80s and even at that time the picture looked transgressive and gory.  Imagine my surprise to find out the movie was made in 1963 before gore movies became popular.  I had no aversion to bloody movies, but this one seemed too much for my tastes. 

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Creature Feature: Werewolves

Posted 10/25/25

Unlike Frankenstein and Dracula, the werewolf in film does not have a fictional, book-based origin, but instead comes from folkloric belief, and even historical legal and theological documents. The term Lycanthropy or the transfer from man to wolf comes from Greek mythology. Taken from the name of King Lycaon who was turned into a wolf by Zeus after he the king killed, cooked and fed his own son to Zeus to test the God’s divinity. He was not a true werewolf though, as he did not have the capability of returning to man-form.

To read more click on Creature Feature in menu

Paul Naschy

Born in Spain as Jacinto Molina Álvarez, Paul Naschy was a weightlifter winning the national championship for Spain in 1958.    To Read more click on Spotlight On: in menu

Horror in History: Grindhouses

Published Oct 18th 2025

The term Grindhouse comes from the 20s, when some theaters would play a movie continuous all day long and allow people to sit for multiple viewings with a single ticket purchase.  But today, people speaking of Grindhouses are generally referring to theaters that specialized in various types of exploitation films during the early 70’s through the early 80s.

To Read more click on Horror in History in Menu

Terror Tropes: The Other

Published Oct 12th

One of the essential qualities exploited in horror movies is fear of those different from us. Man has been afraid of the outsider and the unknown that he represents since his days in small tribes at the beginning of his time on the planet.  Who and what was outside his tribal fire in the night could kill him.  As could they if he wandered too far from the safety of his own territory and into that of another tribe.  The unknown/different could kill, and our ancestors carried that knowledge deep within them.

For the rest of this article click on Terror Tropes in main menu

Published Oct. 11th 2025

Messiah of Evil (1973)

While writing the script for American Graffiti for their former classmate George Lucas, two film school graduates were offered a chance to make their own movie by some Texas investors. The only stipulation: it had to be a horror movie. Jumping at the chance, they quickly began working on this movie. More concerned with aesthetics than anything else, they created a dream-like, creepy film. Throughout the movie, many things that happen don’t seem to have a reason or explanation, which just adds to the disorienting experience. The investors ran out of money before the film was completed, so a key scene was left un-filmed. This missing scene is described by the lead in a tacked-on ending, filmed by the investors not the filmmakers. The tacked on ending works well enough to bring the film closure and adds the trope of an unreliable narrator (see Terror Tropes this issue) to add to the already hazy, unreal, quality of the film...
To finish this article click on Movie Reviews on the menu

Spotlight on Mario Bava:

Mario Bava was born in Italy and started his career as a cinematographer and special effects maestro in the 30s, but had a career arc change taking over the direction of I Vampiri (57) when the director walked out; and again in 58 on Caltiki – The Immortal Monster.  It is believed by some that the director, who was a friend of Bava, walked out with the sole purpose of giving Bava a chance to direct.

For the rest of this article go to Spotlight ON: in the menu.

Posted Oct 11th

opine

Horror as a Refflction of the Times

It has been said that horror movies are a strong reflection of the time they are made. I fully agree. If you want to get a grasp on an era; its fashions, its views and attitudes on social topics, and especially its fears; just pop in a horror movie of that time and watch carefully.
In fact, the more you watch the more you can see shifts in perspectives and attitudes in society. For example, if you watch the Quatermass Xperiment (1955) and then watch Night of the Living Dead (1968) you will quickly notice a drastic change in our trust of authority figures. In the first movie, the scientist bucks the system to prove his theory on space travel and ends up bringing back a dangerous alien. Through it all, he is clearly painted as the hero and it is he who saves the world. Clearly, we had a trust in science and government figures not just in the script, but in what the viewing public would accept at that time. They clearly sided with this reckless scientist because he was a govmt. authority figure; so, he was passed off as a hero. Just years later, this figure would be painted as the villain, or at least as clueless; as in the aforementioned NOTLD. Apparently, we no longer had a trust in our leaders and authority figures. Likely this view changed with help from the Watergate scandal.

To read the rest of this article go to Pine Box Opine in the Menu

Posted Oct 3rd 2025

Creature Feature: Golems

The original golem comes from Jewish folklore and the legends are said to still be believed by the strictest Jewish believers. In most of the tales, the Golem was a man made of clay created by a rabbi to protect the Jewish community from anti-semetic threats. In those tales the Golem went amok and had to be stopped by the same rabbi. Usually by changing the letters inscribed on the earthen figure. To read more click on Creature Feature in the main menu

Movie Review:

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Island of Lost Souls (1932)

Based on the book, The Island of Dr. Moreau by H G Wells, this is a black & white movie made by Paramount Pictures.  For those of you who aren’t aware, the overall plot begins as a man is picked up at seas after his ship has sunk and follows him as he ends up being dropped on the island of the title.  There a doctor and his assistant do experiments on animals, in attempt to turn them into humans through vivisection and other dark methods in an effort to speed up the evolutionary process. The movie stars Charles Laughton as the mad doctor and he is perfect in the role as the heartless and evil doctor who uses animals and humans alike to progress his theories.  He comes across as mad but also calculating and manipulative.  There is also a cameo from Bela Lugosi but as one of the animal men he would be unrecognizable if not for his distinctive voice. Obviously as a product of the 30’s the violence and bloodshed is not showed on the screen, and the plot is more important than action or wild special effects.  However, since it is before the Hayes code handcuffed many scripts to certain rules of conduct, it touches on some very dark and disturbing themes. Bestiality in particular is hinted at as the doctor tries to mate his creations with humans through either trickery or force.  There is also the shadow of disturbing torture and cruelty to animals for the sake of science.  And even though there is no blood or disturbing violent scenes, the death of one of the main characters at the end is horrifying by what is not scene and the screaming that accompanies it.  This is a movie that would not have been able to be made just a few short years later.  Made at a time when movies didn’t have the ability to use CGI or even create the quality of special effects we see many years later, it must instead depend on high caliber acting, a good plot, and a buildup of unease and an uncomfortable undertone.  Of course, being so old the “horror” of the picture does not really scare or affect modern audiences in the way it would have back then, but it still entertains and leaves a disturbing aftertaste if you let it wash over you and you absorb its darker side.  While the animal men do not have the quality of make up as they could today, it works well enough and is heightened by the shadows they tend to mostly stay hidden in.  This is a piece of cinema history and a classic. I highly recommend it.  4 out of 5 furry animal men!

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Sub- Genre - Diving Deeper: Found Footage

Found footage horror movies are very divisive. Some people love them, but many hate them. I fall in the first camp. Yes, I know they are often shaky and have been known to inflict people with motion sickness. I also know that the idea of keeping the camera running throughout, often gets stretched very thin and is hard to believe. I also know some of them sneak in “cheats” where you see things the cameraman couldn’t actually film (Including himself sometimes). But I feel like these are issues that are more than compensated for by the sense of urgency and immersion into the action and horrors the characters are facing. Technically, many of the films categorized as found footage are not found footage at all. Actual found footage refers to movies that were supposedly “found” after some disaster or incident and are being viewed later. These movies often start with a title card letting you know that the people of the film went missing. The most famous of course, would be the Blair Witch Project. That particular movie had a whole story built up around the missing people and recovered film which was spread by fake internet sites long before the movie was even released; all of which helped build up hype for the movie; gave it more depth, and frankly, more appeal, than the movie had by itself. Still, any film put together from clips, raw footage, or other sources presented as “real” are often grouped into this category, meaning the thing that most of them share is a point-of-view or an “as seen through the eye of the cameraman” perspective. So, the camera is acknowledged by characters on screen instead of ignored as in most movies. It is in fact, a character itself. Sometimes the film has a stitched together feel as if someone took multiple sources and combined them to make a coherent film or “Mockumentary” while others just run as the camera runs, usually giving a more “you are there” feel but sacrificing a streamlined narrative which often leads to a lot of “filler” material. There is some debate as to what the first “Found footage” film was, with many people erroneously granting the Blair Witch Project (1999) with that honor. Actually, there was a found footage movie called The Last Broadcast (1998) which came out prior to blair witch. Even more so, it’s most likely the honor should go to Cannibal Holocaust, an Italian movie that falls into the cannibal cycle that was popular at that time. The movie starts out in standard movie format as it follows a man searching for 4 lost documentarians who set out to film the natives cannibals of the amazon rainforest and went missing. The second half of the film is presented as the recovered footage as he shows it to the backers of the film. This half plays out like a found footage film with a truly horrible resolution and several dark secrets learned about the film crew themselves, leaving us to wonder who the true monsters were. The release of blair witch brought the found footage movie to the forefront of the genre again since it was a cheap way to make a movie but capable of earning large dollar amounts. Unfortunately, as a one trick pony (investigating missing film makers) interest by moviegoers waned quickly and found footage went underground again. It began to resurface in the 2000s with the release and success of Paranormal Activity and its sequels. With that film and since it was used not just create a mythos of vanishing filmmakers and the discovery of their missing film, but as an actual technique to tell a unique story in a way that gives a sense of reality to a movie and to bring viewers deeper into the world and action of the film. With this expansion of its purpose, hopefully the found footage film will remain a staple of modern filmmaking.